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Yamaha MG12

Yamaha MG12

12 kanals analog mikser fra Yamaha med kompressor på fire innganger og innebygget effekt. Glimrende småmikser.

 

  • 6 Mikrofon / 12 linje-innganger (4 mono + 4 stereo)
  • 2 grupper + 1 Stereo-buss, 2 aux-send
  • “D-PRE” mikrofonforsterkere med "Darlington-krets"
  • 1-knapps kompressor på 4 innganger
  • XLR balanced outputs og +48V fantomspenning
  • Metal chassis med intern strømforsyning
  • 308 mm x 118 mm x 422 mm, og 4 kilo vekt

Lagerstatus: På lager

kr 3 170,00
ELLER

Detaljer

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps)

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

1-knob Compressors

Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

Eq and filters

There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group

MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

A variety of input / output connectors

All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for 10ch model) The function of another two stereo channel vary depending on model:
With 20ch model, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With 16ch and 12ch models, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. 10ch is equipped with additional stereo channel with a pair of phone jack that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L/R, TRS phone L/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX/FX OUT (TRS phone), MONITOR OUT (TRS phone L/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.

Metal Chassis

Built to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.

Optional rack-mount kit: RK-MG12

Teknisk informasjon

MG12 Analog Input Characteristics

Input terminalPAD
26 dB
GAIN Trim
Position
Actual Load
Impedance
For Use With
Nominal
Input levelConnector
Sensitivity *1NominalMax. before clip
MIC/LINE
1 – 4
OFF +64 dB 3kΩ 50-600Ω
Mics/Lines
-80 dBu
(0.077 mV)
-60 dBu
(0.775 mV)
-40 dBu
(7.75 mV)
Combo
jack*2
(Balanced)
+20 dB -36 dBu
(12.3 mV)
-16 dBu
(122.8 mV)
+4 dBu
(1.228V)
ON +38 dB -54 dBu
(1.55 mV)
-34 dBu
(15.46 mV)
-14 dBu
(154.6 mV)
-6 dB -10 dBu
(245 mV)
+10 dBu
(2.451 V)
+30 dBu
(24.51 V)
MIC
5/6, 7/8
+64 dB 3kΩ 50-600Ω
Mic
-80 dBu
(0.077 mV)
-60 dBu
(0.775 mV)
-40 dBu
(7.75 mV)
XLR-3-31 *3
(Balanced)
+20 dB -36 dBu
(12. 3 mV)
-16 dBu
(122.8 mV)
-6 dBu
(388.2mV)
LINE
5/6, 7/8
+38 dB 10kΩ 600Ω
Lines
-54 dBu
(1.55 mV)
-34 dBu
(15.46 mV)
-14 dBu
(154.6 mV)
Phone jack *5
(Unbalanced)
-6 dB -10 dBu
(245 mV)
+10 dBu
(2.451 V)
+30 dBu
(24.51 V)
LINE
9/10
10kΩ 600Ω
Lines
-30 dBu
(24.5 mV)
-10 dBu
(245 mV)
+10 dBu
(2.45 V)
Phone jack *5
RCA Pin
(Unbalanced)

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