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Yamaha MG16XU

Yamaha MG16XU

16 kanals analog mikser fra Yamaha med gjennomgående flott lydkvalitet, effekter og mulighet for rackmontering.

  • 16 Innganger (derav 10 mikrofoninnganger)
  • 3 bånds EQ på alle mono-inngangene
  • Neutrik™ XLR Kontakter
  • SPX effekt-enhet
  • 24-bit/192kHz 2 inn / 2 ut USB-lydkort
  • Beskjeden vekt (6,8 kg)

Lagerstatus: På lager

kr 5 420,00
ELLER

Detaljer

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.
With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps)

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High quality op-amp
The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

1-knob Compressors

Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

EQ and High-pass Filters

There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group

MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.




Teknisk informasjon

OutlineMG20XUMG16XUMG12XU
Mixing capabilityOn-board processors SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off) SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off) SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)
I/OPhantom power +48 V +48 V +48 V
Digital I/O USB Audio Class 2.0 compliant Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Input ChannelsMono[MIC/LINE] 12 8 4
Mono/Stereo[MIC/LINE] 4 2 2
Stereo[LINE] - 2 2
Output ChannelsSTEREO OUT 2 2 2
MONITOR OUT 1 1 1
PHONES 1 1 1
AUX SEND 4 4 2
GROUP OUT 4 4 2
Bus Stereo: 1, GROUP: 4, AUX: 4 (incl. FX) Stereo: 1, GROUP: 4, AUX: 4 (incl. FX) Stereo: 1, GROUP: 2, AUX: 2 (incl. FX)
Input Channel FunctionPAD 26 dB (Mono) 26 dB (Mono) 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only) 80 Hz, 12 dB/oct (Mono/Stereo: MIC only) 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking Gain: +15 dB/-15 dB, Frequency: 2.5 kHz peaking
EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping LED turns on when post EQ signal reaches 3 dB below clipping LED turns on when post EQ signal reaches 3 dB below clipping
Level Meter 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB] 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB] 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]
General specificationsMG20XUMG16XUMG12XU
Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise levelEquivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min) -102 dBu (STEREO OUT, STEREO master fader: Min) -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -78 dB -78 dB -78 dB
Power requirements AC 100 – 240 V, 50 / 60 Hz AC 100 – 240 V, 50 / 60 Hz AC 100 – 240 V, 50 / 60 Hz
Power consumption 36 W 30 W 22 W
DimensionsW 444 mm (17.5") 444 mm (17.5") 308 mm (12.1")
H 130 mm (5.1") 130 mm (5.1") 118 mm (4.6")
D 500mm (19.7") 500 mm (19.7") 422 mm (16.6")
Net weight 7.1kg (15.7 lbs.) 6.8 kg (15.0 lbs.) 4.2 kg (9.3 lbs.)
Accessories Included Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5 Included Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5 Included Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Optional Accessory: Rack-mount kit RK-MG12, Foot Switch FC5
Others Operating Temperature: 0 to +40˚C Operating Temperature: 0 to +40˚C Operating Temperature: 0 to +40˚C

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