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Presonus RM32 Ai

Presonus RM32 Ai

32-kanals digital rack-mikser med softwarestyring via touch-skjerm eller nettbrett. I en begrenset periode får du også en iPad med på kjøpet når du bestiller denne. Presonus nyeste tilvekst har 32 XMAX forforsterkere i en rack-enhet, som like gjerne kan plasseres på scenen. Her sitter også alle returer, samt all prosessorkraft. Du kontrollerer hele herligheten via nettverk (gjerne trådløst) og UC Control - programvaren som er laget for moderne nettbrett og/eller berøringsskjermer. Presonus RM32 Ai har mange av mikserfunksjonene som også finnes i StudioLive-serien, men kontrolleres altså av et meget effektivt og intuitivt software. Praktisk, elegant og svært prisgunstig.

NB! Sendes fra fjernlager. 1 til 2 dagers leveringstid. Om du er rask får du med en gratis iPad Mini fra importøren ved registrering.

Lagerstatus: På lager

kr 18 998,00
ELLER

Detaljer

KAMPANJE FRA IMPORTØREN:
Ved kjøp av en PreSonus StudioLive RM 16 eller 32 AI medfølger en iPad Mini. Kampanjen gjelder også StudioLive RM som allerede er i butikk. NB! Dette er en tidsbegrenset kampanje. Fyll inn i skjemaet så sender vi iPaden direkte til kunden når registreringen er godkjent hos oss. Klikk på linken for å komme til skjemaet.

Complete recallable touch control.

PreSonus® UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio.

When you’re mixing a live show, and the heat is on, you don’t have time to search for controls and meters, as you must do with most digital mixers. You never have that problem with a StudioLive RM-series mixer because every control you need to mix a show is under your fingers in PreSonus UC Surface remote-control software for Mac, Windows, and iPad®.

We call UC Surface “battle-ready” because some live gigs seem like a war zone, with danger at every turn. UC Surface has your back, enabling you to accomplish your mission quickly and confidently. UC Surface is extremely reliable, and its layout provides quick, intuitive access to everything you need during a show or studio session.

The software is the same on Mac, Windows, and iPad, so you only need to learn one app, regardless of platform. And it supports iPad and Windows 8 touchscreens (not included), taking full advantage of these intuitive multi-touch interface technologies. You can control your StudioLive RM mixer with your laptop, with or without touchscreen, or with your iPad, or any combination.

In UC Surface, you always know what each button, fader, and parameter box controls and which parameter each meter displays. Virtual faders and meters are clearly marked. Each parameter is controlled by a clearly labeled button or a parameter box that enables you to type in a value or adjust the parameter in a graphic display. And UC Surface’s well-planned layout enables you to manage everything you need at the same time.

You always have full use of all 25 dedicated mix buses (16 aux buses, 4 internal effects buses, the stereo mains, the mono/center main, and the stereo Solo bus), along with the tape return and digital return.

To further enhance your workflow, you can assign Channel Types. Channel Types will set a default channel name that can be customized, along with a channel icon for quick identification. Channel types will also setup unique channel filters for your presets, making it easy to find and audition Fat Channel settings designed specifically for that channel type.

Mixer with attitude
Each StudioLive RM mixer channel and bus has its own studio-grade compressor, limiter, gate/expander, and 4-band parametric equalizer. Each input channel, aux and FX bus also has a highpass filter, and input channels have polarity invert. 

It all is part of a remarkable processing and routing section known as the Fat Channel.

Unlike most competing digital mixers, there are no limitations or compromises, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times.

Because StudioLive RM mixers have so much processing power and blazing-fast RAM, you can create two complete sets of EQ and dynamics-processor settings for every channel and bus and then make quick A/B comparisons at the touch of a button in UC Surface. Does the guitar player use a Strat for some songs and Les Paul for others? Don’t use up two channels; create two completely different Fat Channel settings for each guitar and access them with the touch of a button before he has the next guitar strapped on.

It’s like having two complete channel strips on every input and output—but simpler and more efficient!

Fat is beautiful.
Engaged by touching any Select button in UC Surface, the StudioLive RM-series Fat Channel section delivers a compressor, limiter, gate/expander, and four-band fully parametric EQ on every channel and mix bus. You also get a highpass filter on every channel and aux bus, a lowpass filter on the main mono/center bus, and polarity invert for each channel—not to mention routing, panning, and scene and setting store and recall.

To let you get the most from all of this processing power without descending into menu purgatory, we designed UC Surface with an intuitive graphic interface. It’s easy to instantly access any function and get clear, visible feedback so you know at a glance which channel or bus you’re processing. Type in values or adjust them with a graphic display in an easy-to-use parameter box. You’ll love how quickly you can work!

Plenty of graphic EQs, too!
You get graphic EQ on 12 aux buses and the main left, right, and mono/center channels—with two settings for each, all at the same time, without compromising other resources. Each graphic EQ has an A/B option, so you can, for example, boost the bass for a rock band and then switch over to a “smiley face” for intermission program music.

With a StudioLive RM-series mixer, every channel has an individual analog XLR mic input on the front panel. Every aux mix has a dedicated XLR Mix Output on the front panel, mirrored in DB25 connectors (Mix Outputs 1-8 and, with the RM32AI, 9-16) on the rear. You never have to guess which input feeds which channel or which aux mix goes to an output because they’re always the same. Aux Mix 1 goes to Mix Output 1, Aux 2 to Mix Out 2, and so on. It’s all part of a design that enables you to work quickly and without confusion.

Want the stereo main bus output in digital format? No problem: The StudioLive RM series’ preinstalled digital option card also includes coaxial S/PDIF output.


Teknisk informasjon

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface.

Apple iPad

  • iPad Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2
  • iOS 7.03 or later

Mac

  • Mac® OS X 10.8 64-bit or later
  • Intel® Core 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 x64/x86 SP1, Windows 8 x64/x86
  • Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • Wired or wireless network connection
  • Internet connection
  • For Capture and Studio One:
    • FireWire S800 (IEEE 1394b) port
    • Internal or external 7200 RPM storage drive highly recommended
    • Monitor with 1280x800 resolution

Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. 


 

RM16AI

RM32AI

Microphone Preamp

   

Input Type

XLR Female, balanced, locking

XLR Female, balanced, locking

Frequency Response to Direct Output (at unity gain)

20-40 kHz, ±0.5 dBu

20-40 kHz, ±0.5 dBu

Frequency Response to Main Output (at unity gain)

20-20 kHz, ±0.5 dBu

20-20 kHz, ±0.5 dBu

Input Impedance

1 kΩ

1 kΩ

THD to Main Output (1 kHz at unity gain)

0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)

94 dB

94 dB

Common Mode Rejection Ratio (1 kHz at unity gain)

65 dB

65 dB

Gain Control Range (±1 dB)

0 dB to +65 dB

0 dB to +65 dB

Maximum Input Level (unity gain)

+22 dBu

+22 dBu

Phantom Power (±2 VDC)

48 VDC, switchable per channel

48 VDC, switchable per channel

Tape Inputs

   

Type

RCA Female, unbalanced (stereo pair)

RCA Female, unbalanced (stereo pair)

Maximum Input Level

+12 dBu

+12 dBu

Main Outputs

   

Type

XLR Male, balanced

XLR Male, balanced

Rated Output Level

+24 dBu

+24 dBu

Output Impedance

100Ω

100Ω

Mix Outputs

   

Type

XLR Male, balanced

XLR Male, balanced

Rated Output Level

+24 dBu

+24 dBu

Output Impedance

100Ω

100Ω

Headphone Output

   

Type

¼” TRS Female, active stereo

¼” TRS Female, active stereo

Maximum Output

120 mW/ch. @ 60Ω load

120 mW/ch. @ 60Ω load

Frequency Response

20 Hz – 20 kHz (± 0.5 dB)

20 Hz – 20 kHz (± 0.5 dB)

THD+N

0.01%, 1 kHz, max gain, 20 Hz BW, unwtd

0.01%, 1 kHz, max gain, 20 Hz BW, unwtd

S/N Ratio

96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

   

Input to Output

-90 dB (Ref = +4 dBu 20-20 kHz, unwtd)

-90 dB (Ref = +4 dBu 20-20 kHz, unwtd)

Adjacent Channels

-87 dB (Ref = +4 dBu 20-20 kHz, unwtd)

-87 dB (Ref = +4 dBu 20-20 kHz, unwtd)

Noise Gate / Expander

   

Threshold Range

-84 dB to 0 dB

-84 dB to 0 dB

Attack Time

0.02s to 500 ms / 0.5 ms

0.02s to 500 ms / 0.5 ms

Release Time

0.05s to 2s

0.05s to 2s

Expander Attenuation Range

2:1 (fixed)

2:1 (fixed)

Noise Gate Attenuation Range

-84 to 0 dB

-84 to 0 dB

Key Filter

2nd-order, resonant bypass; Q=0.7

2nd-order, resonant bypass; Q=0.7

Key Listen

Off, 40 Hz to 16 kHz

Off, 40 Hz to 16 kHz

Compressor

   

Threshold Range

-56 dB to 0 dB

-56 dB to 0 dB

Ratio

1:1 to 14:1

1:1 to 14:1

Attack Time

0.2 ms to 150 ms

0.2 ms to 150 ms

Release Time

40 ms to 1,000 ms

40 ms to 1,000 ms

Auto Attack and Release

Attack = 10 ms, Release = 150 ms

Attack = 10 ms, Release = 150 ms

Curve Types

hard and soft knee

hard and soft knee

Limiter

   

Threshold

-56 dB to 0 dB / -28 dBFS

-56 dB to 0 dB / -28 dBFS

Ratio

∞:1

∞:1

Attack

20 ms

20 ms

Hold

10 ms

10 ms

Release

20 ms

20 ms

Parametric EQ

   

Type

2nd-order shelving filter

2nd-order shelving filter

Low (Lowpass or Bandpass)

36 to 465 Hz, ±15 dB

36 to 465 Hz, ±15 dB

Low Mid (Bandpass)

90 Hz to 1.2 kHz, ±15 dB

90 Hz to 1.2 kHz, ±15 dB

High Mid (Bandpass)

380 Hz to 5 kHz, ±15 dB

380 Hz to 5 kHz, ±15 dB

High (Highpass or Bandpass)

1.4 kHz to 18 kHz, ±15 dB

1.4 kHz to 18 kHz, ±15 dB

Q (sweepable for each band)

0.1 to 4 / Low Q= 0.55, Hi Q=2.0

0.1 to 4 / Low Q= 0.55, Hi Q=2.0

Graphic EQ

   

31-Band 1/3-Octave Controls

Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.

Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.

Gain/Attenuation

±15 dB

±15 dB

Digital Audio

   

ADC Dynamic Range

118 dB (A-wtd, 48 kHz)

118 dB (A-wtd, 48 kHz)

DAC Dynamic Range

118 dB (A-wtd, 48 kHz)

118 dB (A-wtd, 48 kHz)

FireWire

S800, 800 Mb/s

S800, 800 Mb/s

S/PDIF Output

RCA Female

RCA Female

Internal Processing

32-bit, floating point

32-bit, floating point

Sampling Rate

44.1, 48, 88.2, 96 kHz

44.1, 48, 88.2, 96 kHz

A/D/A Bit Depth

24

24

Reference Level for 0 dBFS

+18 dBu

+18 dBu

Clock

   

Type

JetPLL™

JetPLL™

Jitter

<20 ps RMS (20 Hz - 20 kHz)

<20 ps RMS (20 Hz - 20 kHz)

Jitter Attenuation

>60 dB (1 ns in, 1 ps out)

>60 dB (1 ns in, 1 ps out)

Power/Environmental

   

Connector

IEC

IEC

Input-Voltage Range

90 to 240 VAC

90 to 240 VAC

Power Requirements (continuous)

200W

200W

Recommended Ambient Operating Temperature

0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical

   

Height

5.25” (13.34 cm)

7” (17.78 cm)

Width

19” (48.26 cm)

19” (48.26 cm)

Depth

10.5” (26.67 cm)

10.5” (26.67 cm)

Weight

19 lbs. (8.62 kg)

22 lbs. (9.98 kg)

As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.